Art
by Yasmina Reza
Directed by Wayne Salomon
St. Louis Actors’ Studio
April 17, 2015

Drew Battles, Larry Dell, John Pierson
Photo by John Lamb
St. Louis Actors’ Studio
How subjective is beauty? What about the value of art? What happens when longtime friends disagree on these issues, and how does this conflict affect the friendship? These are several of the issues brought up in Yasmina Reza’s Art, which is currently onstage at St. Louis Actors’ Studio. As is usual for STLAS, this is a memorable production, bringing together a very strong cast and production values to tell this emotionally charged comedy.
The story here is introduced by Marc (John Pierson), a curmudgeonly sort of guy who has something of a distrust for the modern, especially modern art. He’s highly skeptical, even personally offended, when his friend Serge (Drew Battles) purchases a ridiculously expensive painting by a famous artist. The problem is that the painting is white, as in it’s all white, although Serge insists there is more to it than that. Also on the scene is their more ingratiating friend Yvan (Larry Dell), who tells each friend what he wants to hear and just wants everyone to get along. In the midst of this initial conflict, the play also injects issues of friendship jealousy and criticism of the friends’ relationships with the women in their lives, including Yvan’s upcoming wedding and the family conflicts it causes. Although the main argument is between Marc and Serge, the dynamic of all three men’s relationships with one another provides the tension of the play, and much of its comedy, as these guys argue about everything from the nature of great art to the value and importance of friendship itself.
This is a play in which there isn’t much of a plot, particularly. It’s the relationships that make the story, and therefore it requires strong actors to maintain the energy and carry the show. There are three very different men here, so it requires strong ensemble chemistry to make their relationships believable. Fortunately, the cast here is uniformly excellent, working together well and portaying a convincing combative friendship. Pierson as the gruff, contrary Marc spars well with Battles as the pretentious and nervous Serge, with both actors displaying a strong sense of presence. Dell as the harried, people-pleasing Yvan, who becomes something of a combination referee and punching bag for his two more assertive friends, gives a particularly winning performance, as well.
Technically, this production is strong as I’ve come to expect from STLAS, with one notable exception. On opening night, there was a sudden power outage toward the end of the play that stopped the show for a few minutes, although it was well-covered by the cast. Aside from that, everything else is impressive, most notably the set by Cristie Johnston, which recreates an upscale city apartment with rich detail. The costumes by Teresa Doggett appropriately suited the characters. Dalton Robison’s lighting and Wayne Salomon’s sound design also contributed well to the atmosphere of the production.
Aside from a little too much departure from the action in which the characters break the fourth wall and directly address the audience, this is a thought-provoking and highly entertaining play. STLAS has brought together a strong cast and crew to close out their season well. There are many interesting issues dealt with here, but the real story is the relationships, and those are convincing and compelling. It’s a work of art worth the investment.
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