The Zoo Story, by Edward Albee and
The Dumb Waiter, by Harold Pinter
Directed by Wayne Salomon
St. Louis Actors’ Studio
September 18, 2021
Joel Moses, William Roth
Photo by Patrick Huber
St. Louis Actors’ Studio
Edward Albee and Harold Pinter are two of the most celebrated playwrights of the of the 20th century in the United States and United Kingdom, respectively. Their work is often performed and reviewed, and has influenced many great playwrights that have followed. Now at St. Louis Actors’ Studio, two of the writers’ more influential early works, both two character plays, are being featured with the same two actors in both plays. Albee’s The Zoo Story and Pinter’s The Dumb Waiter are both important plays in the history of theatre, and as shown at STLAS, they are both still powerful, thought-provoking works that serve as excellent showcases for actors.
Presenting these plays in this manner makes for an excellent way to challenge the actors in their versatility, as William Roth and Joel Moses each play contrasting roles in the two different plays. In The Zoo Story, Roth is Peter, a mild-mannered family man who is enjoying a quiet afternoon reading on a bench in Central Park, when he is suddenly approached by Jerry (Moses), a much more confrontational character who does most of the talking, as he announces he has been to the zoo and then takes a roundabout way of telling the story of why, revealing much about his character and background in the process, as he openly challenges Peter’s more “status quo” lifestyle. Here, Jerry is essentially in control for most of the proceedings, and the play is a challenge for both actors in different ways, as Jerry is very active and loud, while Peter doesn’t speak through much of the story, and Roth is forced to sit there and react to this increasingly uncomfortable invasion of his personal space. Both actors do an excellent job here, with Moses bringing much emotion and humanity to the confrontational Jerry, and Roth giving something of a master class in “reaction acting”, as both characters display a strong sense of increasingly combative chemistry. It’s a challenging play–not out of the ordinary for modern audiences, but especially controversial in its day, as director Wayne Salomon points out in his note in the program.
The director’s comment also applies to Pinter’s The Dumb Waiter, which is from the same era as The Zoo Story, but has a British setting, and this time the two actors take markedly different roles, as two hit men who are waiting in a windowless basement room for a call about their next assignment. Here, Moses plays Gus, the younger, more reticent hit man, while Roth is the more commanding “senior partner”, Ben. Like The Zoo Story, this play also focuses primarily on the relationship between two characters, with one seeming to be more in control than the other. Here, though, the location is also a “character”, in a way, as the titular dumbwaiter seems to have a mind of its own, serving as the instrument for communication (along with a snake-like “speaking tube”) between the main characters and some unseen “others” who keep sending food orders like they are in a restaurant. The dumbwaiter is also prone to opening and–startlingly–slamming shut at unannounced moments, providing a strong source of tension in the play. The performances here are first-rate, as well, with Moses impressive as the more naive, nervous Gus and Roth excellent as the gruff, more businesslike Ben, who is in for some surprises of his own as the play leads to a somewhat surprising, abrupt end.
To echo Salomon’s comments in the director’s note, neither of these plays should be unusually “shocking” for a modern audience, as this sort of grittiness has become much more commonplace in theatre. Still, the sense of character and storytelling is sharp in both, and each is memorable and thought-provoking in its own right. The productions here are well-paced and dynamic, with a strong sense of ensemble chemistry between the two actors, and good technical elements, as well, including especially impressive work from set designer Patrick Huber in producing two very different settings for the plays–as backdrops and a bench provide the park setting for The Zoo Story, and these later give way to the stark, grimy basement setting of The Dumb Waiter. Huber’s lighting design is also effective, as are Teresa Doggett’s meticulous costumes.
It’s intriguing to see these two one act plays by different, important playwrights presented this way. Using the same actors in both plays allows both to show more of their range, and allowing the audience to see both plays together allows for comparing and contrasting and getting a direct display of the early foundations of modern theatre. These are plays you may have heard about, or read, or seen in separate productions, but here STLAS is providing an ideal opportunity to see them together. It’s an impressive return to the stage for this local company.
Joel Moses, William Roth
Photo by Patrick Huber
St. Louis Actors’ Studio
St. Louis Actors’ Studio is presenting The Zoo Story and The Dumb Waiter at the Gaslight Theater until October 3, 2021
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