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Guys and Dolls
Music and Lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows
Based on a Story and Characters of Damon Runyon
Directed by Gary F. Bell
Choreographed by Mike Hodges
August 9, 2019

Cast of Guys and Dolls
Photo by John Lamb
Stray Dog Theatre

Guys and Dolls is a well-known, oft-produced show known for being colorful and larger-than-life, based on the mid-20th Century New York stories of author Damon Runyon. Now Stray Dog Theatre is staging a production that’s not as big and flashy as other productions I’ve seen, but the scaling down manages to seem more relatable in some ways. It’s a well-cast show that looks great, sounds great, and offers a fresh take on iconic theatrical characters.

The story, witty dialogue, boldly drawn characters, and classic Frank Loesser score are all here, as SDT’s Tower Grove Abbey stage has been transformed into a cross-section of post-World War II New York City. It’s a world populated by gamblers, represented by the determined Nathan Detroit (Kevin O’Brien), who along with his cronies Nicely-Nicely Johnson (Mike Wells) and Benny Southstreet (Cory Frank) is desperately looking for a new venue for his long-running “floating crap game”, to the constant frustration of his long-time fiancee, nightclub dancer Miss Adelaide (Sara Rae Womack). Meanwhile, the Salvation Army-like “Save-a-Soul Mission”, led by the earnest young Sarah Brown (Angela Bubash) and her kindly grandfather Arvide Abernathy (Howard S. Bell) is struggling to find “sinners” to preach to and attend prayer meetings. When high-rolling gambler Sky Masterson (Jayde Mitchell) comes to town, Nathan makes him a bet in hopes of raising the money Nathan needs to secure his preferred venue. It’s a bet Nathan thinks he can’t lose–Sky has to get Sarah to agree to go to Havana with him for the night. Their relationship builds from animosity to something more as the gamblers gamble, the missionaries preach, the long-suffering Adelaide deals with a persistent cold as she continues to wait for the devoted but reluctant Nathan. Throughout, the memorable songs and production numbers are there, from the initial “Runyonland” setting-establishing sequence and “Fugue For Tinhorns”, to the iconic “Adelaide’s Lament”, the giddy “If I Were a Bell”, the rousing “Sit Down, You’re Rockin’ the Boat” and more.

Guys and Dolls is a show of types, and different productions can make the setting and characters more over-the-top than others. At SDT, the “types” are still there, but they’ve been brought down in scale somewhat, in a way that makes them seem more like real people you could have met. The couples are strong, especially, with Womack an especially credible Adelaide, bringing the audience along with her in her exasperation with Nathan, delivering a strong “Adelaide’s Lament” and an even stronger reprise in Act 2. O’Brien is a likable Nathan, with good chemistry with Womack and also with his gambler compatriots, the equally excellent Wells and Frank. Wells especially gets a fine moment leading the show-stopping “Sit Down You’re Rockin’ the Boat”. The show’s other lead couple is also impressive, with Mitchell giving a slightly edgier take on Sky, and Bubash in an engaging turn as an increasingly conflicted Sarah. These two have particularly strong moments in their scenes at the end of Act 1. Bell is a standout as Arvide, as well with a great voice on his song “More I Cannot Wish You”, which is also a strong moment of connection for him and Bubash. There’s a small but energetic ensemble to support the leads, bringing much enthusiasm to the production.

Although the show isn’t as flashy as it is sometimes staged, it’s still richly detailed, with a stunning unit set by Josh Smith that captures the atmosphere and look of the time and place, along with excellent, period-appropriate costumes by Lauren Smith. There’s also bold lighting by Tyler Duenow and a great band led by music director Jennifer Buchheit, doing justice to the show’s familiar score. There were some odd sound-mixing issues on the night I saw the show, but for the most part, it’s a strong, stylish production.

This is a fun Guys and Dolls. It’s the same classic show, but adjusted well to Stray Dog’s smaller venue. It’s a “Musical Fable” that’s a little more on the “down to earth” side, and for the most part, it works. This is another strong showing from Stray Dog Theatre.

Sara Rae Womack and Cast
Photo by John Lamb
Stray Dog Theatre

Stray Dog Theatre is presenting Guys and Dolls at Tower Grove Abbey until August 24, 2019

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