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Heisenberg
by Simon Stephens
Directed by Steven Woolf
Repertory Theatre of St.Louis, Studio
October 27, 2017

Joneal Joplin, Susan Louise O’Connor
Photo by Jon Gitchoff
Repertory Theatre of St. Louis

The Rep is opening its Studio season with a much talked-about two-character play called Heisenberg. It’s a short play, running at just under an hour and a half, and the focus is much more on character than on the plot. It’s a clever, somewhat unpredictable script that serves as a great showcase for its two excellent lead performers.

The title of this play isn’t referenced in the story itself, but it’s one a lot of people will be familiar with, even if they aren’t well-versed in physics. Although associated with a particular scientific concept, one doesn’t really have to know anything about physics to get the gist of this title. Essentially, the first word most people associate with the name Heisenberg is “uncertainty”, and in this play, that’s the general idea. Life is uncertain, and people are uncertain, and we don’t even know how much time we have with the people who come into our lives. The story follows the quirky relationship of two very different people, the 40-something American expat Georgie (Susan Louise O’Connor) and 75-year-old Irish-born butcher Alex (Joneal Joplin), who meet at a train station in London and eventually become more involved in one another’s lives, due largely to Georgie’s persistence. Over the course of their relatively short acquaintance (six weeks, according to director Steven Woolf’s note in the program), there are lies, misrepresentations, revelations, sudden decisions, and other surprises as we learn more about these two and the qualities that draw them together. There isn’t much else to say that doesn’t spoil too much, but the real focus here is on the relationship, as these two characters grow closer and show how their relationship and their interactions with the world around them and other important people in their lives shapes their present decisions, relationship, and character.

The set here is minimal. Designed by Peter and Margery Spack, it consists mainly of two long tables and some chairs, with video screens to help suggest the setting. Nathan W. Scheuer’s lighting and Rusty Wandall’s sound also contribute to the overall atmosphere here, which is more of a suggestion of settings than a concrete representation. Marci Franklin’s costumes are well-suited to the characters and their well-defined personalities.

And it’s those personalities that are the chief focus of this show, boldly embodied by the superb actors who bring them to life. Joplin does a great job of presenting Alex as a well-rounded character even early on, when he doesn’t speak as much and is largely reacting to Georgie. There’s so much communicated in Joplin’s mere looks and reactions, and as we find out more about him as the play progresses, Joplin continues to make these revelations fascinating, and his chemistry with O’Connor is wonderful. O’Connor is equally superb as the more outwardly expressive Georgie, although we soon learn that although she’s not as reserved as Alex, she has her own secrets. The contrast and dynamic between these two characters is really what makes the play so fascinating, and the performers here make the most of that relationship.

The play is fairly simple, plot-wise, even though its driven by a series of surprises, and the ending is somewhat abrupt. The point, I suppose, is that we never really know what to expect from life, so we might as well make the most of it while we are here. Here, that lesson is exemplified by two memorable characters in this witty, poignant play. This production, with it’s terrific leads and the assured direction of Steven Woolf, carries its message well. Life may be uncertain, but this play is certainly worth seeing.

Joneal Joplin, Susan Louise O’Connor
Photo by Jon Gitchoff
Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis is presenting Heisenberg in its Studio Theatre until November 12, 2017.

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