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Clue
Adapted from the Screenplay by Jonathan Lynn
Written by Sandy Rustin
Additional Material by Hunter Foster and Eric Price
Based on Original Direction by Casey Hushion
Directed by Steve Bebout
STAGES St. Louis
July 27, 2023

Cast of Clue
Photo by Phillip Hamer
STAGES St. Louis

Clue is a lot of things. It’s a game, it’s a movie, and now it’s a play. It’s the first non-musical play STAGES has produced in a long time, but the way this show plays out, it’s not that much of a departure. In fact, even though it’s not a musical, with its pacing, original musical score by Michael Holland, energetic performances, and cast full of musical theatre veterans, it almost seems like one. It’s also a frantic, well-choreographed, hilarious good time at the theatre. 

If you know the board game, you know most of the characters here, and if you’ve seen the film, you know more of the characters, and the basic plot. It generally follows the plot of the film, as far as I remember, but there are some additions, and it’s all staged in an especially theatrical way, with a great deal of energy by the cast, and some impressive production values. The mansion, the weapons, the rooms, and the familiar board game characters are all here–Colonel Mustard (David Hess), Mrs. White (Tari Kelly), Mrs. Peacock (Zoe Vonder Haar), Mr. Green (Charlie Franklin), Professor Plum (Graham Stevens), and Miss Scarlet (Diana DeGarmo)–welcomed to Boddy Manor by butler Wadsworth (Mark Price) and the shady Mr. Boddy (Jeff Cummings, who plays a variety of roles). All the characters have their secrets, and a sudden murder sends them all into “mystery solving” mode while more mayhem ensues. It would spoil too much to go into too much detail, but I will say it involves a lot of well-orchestrated chaos.

It’s a good thing many of the cast members are experienced in musical theatre, because while this isn’t a musical, exactly, it’s a highly stylized staging that features lots of heavily choreographed movement, as well as some dancing and an affected “sing-song” way of speaking for some of the characters. The cast is excellent across the board, with everyone getting their moments to shine, and Price a notable standout as the fastidious, energetic Wadsworth. The ensemble chemistry is excellent, as well, with all the players previously mentioned–along with Cameron Jamarr Davis in several roles–working together with seamless efficiency and wacky comic energy. This isn’t a long play, with its one act running at roughly 80 minutes, but the cast makes the most of every minute, milking the laughs for all they are worth.

The breakneck pace of the staging is also highly dependent on the technical aspects of the production, most notably the mansion, which is essentially a character in itself. The marvelous set by Lee Savage is highly versatile and strikingly detailed, with quick set-changes and movement essential to the action of the play. The costumes by Brad Musgrove are also terrific, bringing the characters from the game to life with vivid detail. There’s also stellar lighting by Sean M. Savoie and sound by Beef Gratz. 

Clue is, ultimately, a whole lot of fun. If you’re a fan of game and/or the film, it will probably be even more fun, but even if you don’t know much about either, this is simply a laugh fest from start to finish. Its almost dizzying pace adds to the laughs, as does the high-energy enthusiasm of the cast and the impressive production values. It’s a very musical “non-musical”, especially, and a hilarious success for STAGES St. Louis. 

Cast of Clue
Photo by Phillip Hamer
STAGES St. Louis

STAGES St. Louis is presenting Clue at the Kirkwood Performing Arts Center until August 20, 2023

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Million Dollar Quartet
Book by Colin Escott and Floyd Mutrux
Directed by by Hunter Foster
Repertory Theatre of St. Louis
March 17, 2017

Sky Seals, Dominique Scott, John Michael Presney, Ryah Nixon, Ari McKay Wilford
Photo by Jerry Naunheim, Jr.
Repertory Theatre of St. Louis

Million Dollar Quartet is certainly a crowd-pleaser.  With a catalog of classic music from the early days of rock n’ roll, played and sung live on stage and with a great deal of energy and respect for the material, a show like this is sure to please. The closing show of the Rep’s 50th season, this slightly plotted, music-heavy show is, for the most part, an entertaining success, even though it does have its problems, especially in casting.

The show is inspired by an actual event–a historic day in 1956 when four musical legends–Elvis Presley (Ari McKay Wilford), Johnny Cash (Sky Seals), Carl Perkins (John Michael Presney), and Jerry Lee Lewis (Dominique Scott) all gathered for an impromptu jam session at the Sun Records studios in Memphis. The events here are largely embellished, creating a fictional girlfriend for Elvis named Dyanne (Ryah Nixon) who is a singer and can join in on the music, and focusing a lot of its attention on Sun Records’ founder Sam Phillips (James Ludwig), who is facing a dilemma when he’s offered a chance to sell his company and join Elvis at his new record company, RCA. There’s a big element of “history lesson” to this show as well, telling us a lot about the backgrounds about the various artists. It’s also a lesson in competing egos, as the talented musicians jockey for favor and boast about their success. This gives us a look at future legends still fairly early in their careers, and in the case of Jerry Lee Lewis, at the very beginning of his. For the most part, though, it’s more jam session than story, with the performers playing various hits such as “Blue Suede Shoes”, “I Walk the Line”, “Great Balls of Fire”, and more. There’s even a nod to the late, great Chuck Berry with a performance of “Brown-Eyed Handsome Man”, as well as a foray into Gospel music with “Down By the Riverside”, “I Shall Not Be Moved”, and “Peace In the Valley.”

The music here is really the star, with all the musicians playing their own instruments and performing the songs well. There are some excellent musical moments and some stand-out performances, especially from the energetic, charismatic Scott as Lewis, and by Presney as Perkins, who displays an impressive talent on the guitar. There are also strong performances from Ludwig as Sam Phillips and Nixon as Dyanne, who has strong singing moments with “Fever” and “I Hear You Knockin'”. There’s also strong musical support from Eric Scott Anthony, as Carl Perkins’ brother Jay, on bass, and by Zach Cossman as drummer Fluke. The problematic casting comes in the form of Seals and McKay. Try as he might, the pleasant-voiced Wilford just doesn’t quite convince as Elvis, lacking  in the sheer sense of charisma and magnetism, and although Seals gives a strong acting performance as Cash, his voice isn’t low enough or strong enough to carry off Cash’s classic songs, especially “I Walk the Line” in which Seals noticeably strains to the degree that it affects his overall credibility. Still, everyone seems to be having a great time here, and the group singing sessions are particularly strong.

Technically, the show is simply and effectively staged. There isn’t a need for an elaborate set, as it all takes place in the Sun Records studio, although that studio is vividly realized by set designer Adam Koch, whose two-level set provides the ideal backdrop for the performances. Costume designer Lauren T. Roark has outfitted the performers well, in colorful period-specific costumes that suit the various performers well. There’s also excellent lighting by Kirk Boookman and sound by Bart Fasbender, highlighting the clarity, energy, and sheer musicality of the performance.

This is a fun show, and even though it isn’t perfect, it entertains. Toward the end of the production, a photo and recording of the real legendary performers is shown, and it does serve as something of an extra reminder that what we’re seeing on stage is only an imperfect re-creation. Still, Million Dollar Quartet is full of great music and serves as a fitting tribute to its subjects. Even though the casting isn’t always ideal and it often comes across as more of a concert than a play, it’s a lively, well-played presentation featuring a lot of great music that is worth hearing, remembering, and celebrating.

Repertory Theatre of St. Louis is presenting Million Dollar Quartet until April 9, 2017.

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