Posts Tagged ‘jen silverman’

The Roommate
by Jen Silverman
Directed by Rebekah Scallet
Repertory Theatre of St. Louis–Steve Woolf Studio Series
October 25, 2024

Kelley Weber, Nancy Bell
Photo by Jon Gitchoff
Repertory Theatre of St. Louis

The Rep’s Steve Woolf Studio Series is back in its familiar location with a production of Jen Silverman’s fascinating two-character dramedy The Roommate. Starting off as somewhat of an Odd Couple-type tale of two roommates with contrasting personalties, the story evolves into an examination of societal expectations, self-expression, and more. At the Rep, as directed by Rebekah Scallet, this is a superbly cast show featuring two excellent local performers, as well as featuring especially impressive production values.

The story is set in Iowa, in a modest, cozily decorated house owned by the somewhat socially awkward Sharon (Kelley Weber), who has recently gone through a divorce and has lived something of a sheltered life in the Midwest. Feeling lonely, Sharon has advertised for a roommate, who turns out to be Robyn (Nancy Bell), a more worldly-wise former denizen of the Bronx, New York, who gives the sense that she’s trying to start a new life in a completely new place. Sharon meets Robyn with a mixture of trepidation and excitement, as Robyn is so different from everyone else she knows–vegan, gay, city-raised and into growing “medicinal herbs”,  while Sharon herself hasn’t experienced much outside of what’s been expected of her. As the two get to know one another, they form a friendship and it becomes clear that both have regrets and secrets, with their lives being changed in various ways that may or may not be healthy or legal. 

This is a fascinating study of contrasting characters and their influence on one another, as well as exploring the effects–both positive and potentially negative–of one woman who has been used to a life with few attachments and restrictions suddenly coming into the life of someone who has spent her life being told “no” either directly or indirectly. The interplay between the characters is what makes the story, and the actors are fantastic, with Weber’s initially reticent but increasingly enthusiastic Sharon and Bell’s more experienced but secretive Robyn working especially well together, with strong chemistry and a believable growing bond as well as credible degree of tension. Both performers have strong presence, excellent comic timing (especially Weber), and impressive emotional range. These characters are the show, essentially, the performance make the show immensely engaging.

The world of these two characters is well-realized by means of Robert Mark Morgan’s stunningly realistic set. It seems like the audience is sharing the home with the roommates, adding a level of engagement to the already intriguing story. Lou Bird’s costumes suit the characters well, with both Sharon and Robyn having an array of outfits that reflect their personalities as the story develops. There’s also excellent work from lighting designer Jayson M. Lawshee and sound designer Kareem Deanes, bringing the small-town Iowa location and atmosphere to life.

The Roommate represents a welcome return for the Steve Woolf Studio Series at the Rep. It’s a story that covers a lot of issues, and will give audiences much to think and talk about in terms of relationships with new friends, parents and adult children, and the influence of “bolder” personalities on those who might not seem as bold. With two excellent starring performances and an impressive set, this is a show that’s well worth checking out.

Kelley Weber, Nancy Bell
Photo by Jon Gitchoff
Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis is presenting The Roommate as part of their Steve Woolf Studio Series until November 17, 2024

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The Roommate
by Jen Silverman
Directed by Sean Belt
West End Players Guild
February 22, 2020

Jane Abling, Julie George-Carlson
Photo by John Lamb
West End Players Guild

Relationships can be complicated, and so can influence within those relationships. Whether they are romantic relationships, friendships, siblings, parents and children, etc., the dynamics of various relationships have often formed the basis for exploration through drama, and comedy. The latest production from West End Players Guild, Jen Silverman’s The Roommate, which explores the developing relationship between two middle-aged women who start out as strangers, then become friends, and then… well, let’s just say it’s complicated. And in the hands of the excellent performers in this production, it’s also fascinating from start to finish.

Described in the show’s promotional materials as a “dark comedy”, The Roommate introduces audiences to two very different women who are brought together by necessity and loneliness. It also explores the development of influence and shifting power balances within interpersonal relationships. At first, Iowa homeowner Sharon (Jane Abling) seems shy and uneducated about much of the world outside of the Midwest, even though she stresses that she knows better than the Iowa-born residents around her, because she’s originally from Illinois. Regardless of where she’s from, Sharon isn’t happy, as her marriage has just ended, and her son lives in New York City and doesn’t seem to be home often when she tries to call him. She doesn’t get out much, and in her loneliness she advertises for a roommate. That roommate turns out to be Robyn (Julie George-Carlson), who seems somewhat scary to Sharon at first, since she’s very different–a vegan lesbian from NYC who is very secretive about her past–but Sharon is determined to get to know her new roommate, and the two soon form a friendship that’s full of surprises. One surprise is that the dynamic begins to shift, as Sharon grows bolder and Robyn more reticent, becoming drawn back into some activities that Robyn was trying to leave behind her. It’s a funny play, certainly, but also has its moments of poignancy and also a dark, insidious undercurrent that makes the proceedings increasingly uncomfortable, which seems to be deliberate. The relationship and its results are complex, to be sure, and certainly the cause for much thought and reflection concerning a variety of issues such as middle-aged loneliness, peer pressure (no matter what your age), the difficulties of fleeing past regrets, and more.

The script is witty and insightful, and it builds well, and the relationship here is made all the more believable by the truly compelling performances of the two leads. Abling is excellent in portraying the development of Sharon from shy and naive to bold and assertive, giving a strong sense that the character is revealing aspects of her personality that she has kept hidden for a long time, perhaps even to herself. Then there’s George-Carlson, whose Robyn is consciously hiding things, but then finds herself reluctantly opening up and then dealing with the palpable struggle between excitement at finding a friend to regret at how that relationship influences her new friend, and also herself. There’s a strong sense of chemistry and bonding between the two, as well, which adds to the credibility of the relationship and makes the story all the more compelling.

Technically, the show makes the most of the stage in the basement of Union Avenue Christian church, as the stage itself and area in front of it are put to use by means of George Shea’s detailed, believable set. There’s also excellent lighting from Tony Anselmo and sound from Chuck Lavazzi. Most impressive, however, is the costuming work by Tracey Newcomb, and in how the costumes not only suit the characters but also play a considerable part in showing the evolving relationship between these women, and how both characters are influenced by one another over the course of the play. It’s an impressive feat from both director Sean Belt and costume designer Newcomb that adds a great deal of depth to this play.

The Roommate is an insightful comedy that shows especially well how relationships–whatever their nature–can be influential, empowering, revelatory, and even dangerous. It deals with moral dilemmas as well as the conflicting emotions that come with such dilemmas. It’s certainly a thought-provoking piece with a lot of humor, but also a lot to think about. At WEPG, it’s ultimately an especially strong showcase for two talented performers.

Jane Abling, Julie George-Carlson
Photo by John Lamb
West End Players Guild

West End Players Guild is presenting The Roommate at Union Avenue Christian Church until March 1, 2020

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