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Mojada: A Medea in Los Angeles
by Luis Alfaro
Directed by Rebecca Martinez
Repertory Theatre of St. Louis
January 10, 2020

Cheryl Umaña
Photo by Cory Weaver
Repertory Theatre of St. Louis

It’s a new year and a new production for the Rep, as the company takes on a tale inspired by a well-known Greek tragedy, with a decidedly 21-Century twist. In Mojada: A Medea in Los Angeles, playwright Luis Alfaro adapts the Euripides classic Medea to focus on a timely topic and a challenging, thought-provoking theme. At the Rep, director Rebecca Martinez’s production boasts an excellent cast and a memorable presentation.

Alfaro’s adaptation basically distills the Medea story into a highly personal look at Mexican immigrants adjusting to life in Los Angeles in different ways. After a difficult and sometimes violent journey from their hometown, Medea (Cheryl Umaña), Jason (Peter Mendoza), and their family react to life in America in different ways, with Jason eager to assimilate and succeed in American society, and seamstress Medea still haunted by her past and not knowing how to move forward, although she tries for the sake of Jason and their son, Acán (Cole Sanchez). Also accompanying the family from Mexico is their companion and household servant/helper Tita (Alma Martinez), who is devoted to Medea and tries to mentor her in carrying on her tradition of healing arts as well as trying to make an effort to adjust to a new way of living. Tita enlists fellow immigrant Josefina (Guadalis Del Carmen) to befriend Medea, all the while Jason aspires to make the most of his new life and his job with real estate developer Armida (Maggie Bofill), who has her own designs on Jason and, it seems, Medea’s whole family. Medea is increasingly shown to be the outsider, struggling to hold on to her family and identity as Jason becomes more and more ambitious and secretive, and as Medea’s relationship with her family and friends are threatened by the pressures of ambition and the pressure to assimilate into an upwardly mobile “American dream” based focus. The show paints a vivid portrait of Medea’s past, as well as setting an increasingly inevitable, ominous pace for her present, and future. Anyone who knows the classic Medea story knows where this is leading, and what’s most compelling here is the portrayal of how the characters, and especially Medea herself, get to that point. It’s a jarring story in ways, especially at the end, and also compelling, thoughtful, and especially timely today’s world.

As the show’s most vividly drawn characters, Umaña and Martinez are the standout performers here in an excellent ensemble. Martinez is strong as the one character who sticks by Medea throughout, displaying a fierce devotion as well as compassion and strength. Umaña is equally strong as the conflicted Medea, with a strong sense of presence and credible chemistry with Mendoza’s somewhat enigmatic Jason. Del Carmen is also a delight as the friendly but (eventually) also conflicted Josefina, and young Sanchez gives a fine performance as Acán, who is affected by the conflict between his parents and their competing views of life in LA. There’s also Bofill, as the driven Armida, giving a convincing performance in a somewhat underwritten role, and Luis Chavez who makes the most of his small role as a menacing soldier.

Technically, the show reflects the usually strong production values at the Rep, although not quite as dazzling as one may have come to expect. There’s one prominent special effect, employed late in the second act, that comes off as something of a gimmick and doesn’t quite add the dramatic effect to which it seemingly intends. Still, Mariana Sanchez’s set is convincingly realistic, as are Carolyn Mazuca’s costumes. There’s also effective lighting by Maria-Cristina Fusté and strikingly evocative sound and score by David R. Molina.

Mojada: A Medea in Los Angeles is ultimately a fine example of adapting a time-honored classic and its timeless themes to a modern, especially timely setting. With a first-rate cast and an especially strong leading performance, this is a well-paced, compelling drama. It’s another strong showing for this new artistic era at the Rep.

Alma Martinez, Guadalis Del Carmen, Cole Sanchez, Cheryl Umaña, Peter Mendoza
Photo by Cory Weaver
Repertory Theatre of St. Louis

Repertory Theatre of St. Louis is presenting Mojada: A Medea in Los Angeles until February 2, 2020

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