Posts Tagged ‘michelle hand’

The Search for Signs of Intelligent Life in the Universe
by Jane Wagner
Directed by Wayne Salomon
St. Louis Actors’ Studio
November 7, 2025

Michelle Hand
Photo by Patrick Huber
St. Louis Actors’ Studio

The Search for Signs of Intelligent Life in the Universe started out as a celebrated Broadway showcase for famed television star Lily Tomlin. Debuting in 1985 and written by Tomlin’s longtime partner/collaborator and now wife Jane Wagner, the show received excellent reviews and won awards for both Tomlin and Wagner. At St. Louis Actors’ Studio, this show is being staged now with a celebrated local performer as its headliner,  featuring the remarkably versatile talents of Michelle Hand, under the strong direction of Wayne Salomon, it’s fairly easy to forget this show was written with a different star in mind. Although there are certainly dated references that tie it to its original time, Hand makes the role her own and brings out the sensitivity and humor of the cleverly constructed script.

Playing a variety of characters in a series of cleverly interconnected vignettes, Hand is a marvel of comic and dramatic versatility. Introducing the show as upbeat New York City “bag lady” Trudy, she introduces the theme, as Trudy lets the audience in on a little expedition in which she is involved, escorting a group of unseen extraterrestrials on a step of their cosmic mission to find evidence of intelligent life. As Trudy recounts her exploits, we get to meet a series of other NYC denizens of various classes, ages, and stations in life, from the teenage Agnus Angst, to upscale socialite Kate, to ditzy Chrissy, to opinionated “working girls” Brandi and Tina, to a trio of feminist friends–Lyn, Edie, and Marge–as Lyn reminisces about their friendship, lives, and activism at a pivotal moment in her life.

The setting is primarily the mid-1980s, and the show reflects this setting in both subject matter and format, often reminding me of a television sketch show, and some references I had to look up, because although I was a teenager in 1985, a lot has happened in terms of trends and attitudes since then. I imagine younger audiences might have a bit of a struggle understanding some references, although the general themes here are still relatable, featuring timeless themes like finding one’s purpose in life, the goals and roles of women, friendship, parent-child relationships, and more.

The language is sharp and engaging, and the plots are cleverly woven together, but what especially makes this show work is its star. Hand is simply brilliant, likable, and convincing, adept at both comedy and drama, and able to present the various distinct characters convincingly. I’m especially impressed by how Hand is able to conduct conversations between characters and switch roles seamlessly, as well as projecting a strong likable presence across the board, with all the characters but especially in the two most prominent portrayals, the eccentric Trudy and the conflicted but still hopeful Lyn. It’s a tour-de-force for the consistently excellent Hand, who is already a consistent, award-winning performer so I was expecting a strong performance, and she certainly delivers. 

The technical aspects of this show are almost deceptively simple, but work especially well in highlighting Hand’s fantastic performance. Patrick Huber’s simple set and colorful lighting, along with Andy Cross’s vibrant scenic painting provide an ideal backdrop for the story. There’s also strong work from costume designer Meredith LaBounty, who provides a simple but memorable outfit for Hand, along with some fun accessories.  The show works especially well in STLAS’s smaller space at the Gaslight Theatre, even more bringing Hand’s talents to the forefront.

The Search for Signs of Intelligent Life in the Universe is a show I had heard of before, but had associated primarily with Lily Tomlin. This thoughtful production at St. Louis Actors’ Studio has changed that association for me, or at least added to it. Michelle Hand is an ideal lead, and her performance is well worth seeing. I think people who remember New York in the 1970’s and 80’s might especially enjoy the show, although younger audiences will have Hand’s superb performance to enjoy, and just might get a useful history lesson. 

Michelle Hand
Photo by Patrick Huber
St. Louis Actors’ Studio

St. Louis Actors’ Studio is presenting The Search for Signs of Intelligent Life in the Universe at the Gaslight Theater until November 23, 2025

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8th Annual Aphra Behn Festival
SATE Ensemble Theatre
April 4, 2024

Image: SATE Ensemble Theatre

SATE’s 8th Aphra Behn Festival ran at the Chapel this past weekend, and it was a lot of fun, with a large, enthusiastic audience and a slate of promising plays with strong casting and direction. Here are a few thoughts on this year’s featured shows:

“The The”
by Anne Valentino
Directed by Michelle Hand

This clever play has my vote for best of the evening, with an intriguing premise, compelling characters, and strong performances. Meghan Baker plays Allie, who works for a hotel chain’s corporate office in the “hotel naming” department. She’s been sent to investigate a West Virginia hotel, The Thisben, to get local reaction concerning whether or not the hotel should be able to keep the “The” in its name. Allie is also an aspiring photographer whose work her husband, Jason (David Cooperstein) often belittles. 

The performances are good here, with the star of the show being Keating in a variety of roles at The Thisben–including the desk clerk, the manager, the maid, and the daycare director–who may or may not all be the same person. Keating’s comic timing and versatility are impeccable, and the highlight of the show. Michelle Hand’s thoughtful direction is also a plus here, and the script is fun, although the pre-West Virginia moments lag a bit. 

“Left to Lose”
Written and Directed by Stella Plein

This one is more of a sci-fi offering, presented as a staged reading. The three performers do their best, led by Angela Chan as lead character Ezra and as “The Radio”, although the distinction between the two parts is not always clear. As Ezra deals with a personal loss involving a national tragedy, Deniel Lee as “The Public” interjects reactions to the events and Ivy Liao as Ezra’s husband, astronaut Hayou, provides moments of pathos. It’s a promising story, but I think more could be done in terms of clarity and definition of the characters.

“Run Run Run as Fast as You Can”
by Tessa Van Vlerah and Dylan Staudte
Directed by Katie Leemon

The writers of this play appear to have been influenced to some degree by Dr. Horrible’s Sing-Along Blog, with its portrayal of super-villains in a comic way. The premise has said villains in a support group led by Limburger (Andre Eslamian), challenging them to examine their lives and reform. Sienna, the fox (Sam Hayes) is somewhat snarky, but Royal Pea (LaWanda Jackson) is even more surly, as well as being snooty and entitled. All three players give well-timed comic performances, and the staging is energetic and memorable. Kayla Lindsay’s costumes–strong throughout the various plays–are especially outstanding here.

“The Croning”
by Margeau Steinau
Directed by Abigail Greaser

It’s a party! Or is it a fight? Well, it’s kind of both, as three personifications of feminine archetypes–the Maiden (Anna Rimar), the Mother (Katie Puglisi), and the Crone (Jodi Stockton) engage in a struggle as the aging Crone tries to take stock in her life and integrate the three characters into one. This is the most symbolic of the plays at the festival, and it highlights Erik Kuhn’s lighting as well as featuring energetic staging by director Abigail Greaser and three fun performances, as well as good amount of confetti and glitter! It’s a memorable way to conclude the festival, which also incorporated readings of poems by writers associated with Prison Performing Arts.

Even though this is the 8th annual festival, it’s the first time I’ve attended, and I’m glad I did. It’s a compelling showcase for its playwrights, directors, and performers, and I look forward to seeing what the 9th festival has to offer. 

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