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Miss Bennet: Christmas at Pemberley
by Lauren Gunderson and Margot Melcon
Directed by Jenn Thompson
Repertory Theatre of St. Louis
December 1, 2017

Kim Wong, Justine Salata, Austen Danielle Bohmer, Harveen Sandhu
Photo by Jerry Naunheim, Jr.
Repertory Theatre of St. Louis

Jane Austen sequels and adaptations are nothing new. From modernizations like The Lizzie Bennet Diaries to mysteries like Death Comes to Pemberley to the countless fan stories on a multitude of sites online, writers like to get creative with Austen’s characters, with results ranging from puzzling to delightful. The latest production from the Rep, the funny and festive Miss Bennet: Christmas at Pemberley is solidly on the “delightful” end of the spectrum, with an impressive script, excellent production values and a top-notch cast.

As the title suggests, the story finds the familiar characters from Austen’s most famous novel, Pride and Prejudice, celebrating Christmas at the home of the now happily married Elizabeth (Harveen Sandhu) and Fitzwilliam Darcy (Rhett Guter). While Elizabeth, the main character of Pride and Prejudice, and Darcy are prominently featured, as are sisters Jane (Kim Wong) and Lydia (Austen Danielle Bohmer), the main focus of story is on the often neglected middle sister Mary (Justine Salata), portrayed here as earnest, socially awkward, and unsure of her own future as two of her sisters have married happily, one insists she’s happy in her marriage although evidence suggests otherwise, and another (the unseen Kitty) is happily spending the holiday with her aunt and uncle in London. Mary is determined to make the most of her time at Pemberley despite feeling overshadowed by her elder sisters and their husbands, and her sisters soon learn there is more to her than than had previously acknowledged. Also invited for the festivities is Lord Arthur de Bourgh (Miles G. Townsend), the scholarly and socially awkward nephew and surprising heir of the recently deceased Lady Catherine. Arthur, who is most at home among his books, isn’t comfortable with his new noble title and his unexpected inheritance of his late aunt’s home, but he’s intrigued by the Darcys and soon hits it off with Mary, as the two bond over mutual interests and soon have to deal with feelings neither of them had expected. But more surprises are in store as well, with some unpleasant news brought by Arthur’s imperious cousin, the late Lady Catherine’s daughter Anne de Bourgh (Victoria Frings).

As much as I love the source material, this show takes me as something of a surprise especially in terms of its sparkling wit and humor. I expected an interesting show, but I didn’t expect to laugh this much. I’m also impressed by how true to the spirit of Austen this story is, and how well-realized the characters are. The familiar characters of Elizabeth, Darcy, Jane and Mr. Bingley (Peterson Townsend), are here, as are Mary and Lydia, but the playwrights manage to do a great job of making them recognizable as Austen’s characters, but also of expanding on them, especially in the cases of Mary and the surprisingly nuanced Lydia. Mary has become a likable, relatable lead character here especially, delightfully played by Salata with a steely determination and a deliciously dry wit. She’s well-matched by Jackson’s highly physical, amiably awkward portrayal of Mary’s unlikely suitor Arthur de Bourgh. Their chemistry is delightful and, shall I say, adorkable. The rest of the cast is strong as well, with Sandhu’s warm, encouraging Elizabeth and Guter’s devoted Darcy, and Bohmer’s enigmatic Lydia the real standouts. What’s struck me especially about this production is the attention to the relationship of the sisters, and all four performers do well to portray a believable sisterly bond.  Ensemble members Max Bahneman, Johnny Briseno, and Molly Burris also contribute well to the story as the Pemberley household staff doubling as stagehands.

In addition to being wonderfully charming and witty, this production also looks wonderful. Wilson Chin’s sumtuously detailed set effectively brings the tastefully opulent Pemberley to the stage, and David Toser’s detailed period costumes add to the charm. It’s a Regency Christmas in all its festive glory, featuring Elizabeth’s new project, an unusual German custom called a “Christmas Tree”. There’s also excellent work from lighting designer Philip S. Rosenberg and sound designer Philip S. Rosenberg.

This is such a fun show. With an outstanding lead performance and a first-rate supporting cast, along with stunning production values and and overall Austen-like atmosphere coupled with the festivity of the holiday season, this production is simply a winner. It’s a real treat for the holiday season. Go see it!

Justine Salata, Miles G. Jackson
Photo by Jerry Naunheim, Jr.
Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis is presenting Miss Bennet: Christmas at Pemberley until December 24, 2017.




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