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Proof
by David Auburn
Directed by Sharon Hunter
Moonstone Theatre Company
March 26, 2022

Summer Baer, Michael James Reed
Photo by Phillip Hamer
Moonstone Theatre Company

Moonstone Theatre Company continues to impress with its second production onstage at the Kirkwood Performing Arts Center. David Auburn’s Tony and Pulitzer Prize-winning Proof is a profoundly thoughtful drama with rich characterizations and intelligent explorations of subjects from math to family relationships to struggles with mental health. It’s a challenging play to stage, and Moonstone has risen to the challenge admirably with a remarkably well-cast production.

The play tells its story with a blend of straightforward realism, flashback, and fantasy, as it explores the lives that have been affected by renowned mathematician and university professor Robert (Michael James Reed), and especially that of his younger daughter, Catherine (Summer Baer), a once-promising math student herself, who left school early to care for her father as he struggled with mental illness. In the aftermath of Robert’s death, three characters are dealing with his passing in different ways. Catherine is left struggling to cope, and also dealing with fears that she will inherit her father’s condition. Her business-minded older sister Claire (Julie Amuedo), deals with what to do with Robert’s house, and how to take care of Catherine, whom Claire views as “fragile”. There’s also Hal (Oliver Bacus), a former student of Robert’s who now teaches at the university. Hal has been looking through the many notebooks Robert left behind in case there might be some important math discovery hidden among the often incoherent scribblings Robert filled them with in his later years. As Catherine deals with memories of her father, the expectations of her sister, and her initially awkward interactions with Hal that soon reveal an obvious mutual attraction, she is forced to confront her own fears, as well as unresolved issues concerning her father’s legacy, her own future, and her mathematical gifts. 

This is a story about relationships primarily–interpersonal relationships, teacher/student, parent/child, and sibling relationships, and potential romantic relationships. It also focuses on mental health and also on individuals’ gifts, talents, and intelligence, and how they utilize them. With Catherine as the central character with the most personal issues to deal with, and Robert being a looming presence even when he’s not on stage, the other characters are developed mostly through their relationships with these two key figures. Catherine is a bundle of contradictions, and a lot of promise but also self-doubt, and she is portrayed with vivid complexity by Baer, who shines in every scene she is in, and especially in her moments with the superb Reed as Robert; and with Bacus, who gives an impressively likable performance as the initially awkward but determined Hal. Amuedo is also strong in the difficult role of the somewhat haughty Claire, who is essentially the antagonist of the piece, and her scenes with Baer are fraught with tension. It’s a strong ensemble all around, and the staging and pacing help to maintain the emotion of the story.

The action takes place at Robert’s old, deteriorating house and backyard, which are vividly realized by means of Dunsi Dai’s simply impressive set. Michele Siler’s costumes suit the characters well, and there’s also excellent lighting by Michael Sullivan that adapts well to the changing tones of the show. Along with Amanda Werre’s strong sound design, the technical aspects help to maintain the mood of the production.

There is so much going on here in terms of emotion, unfolding discoveries, and character relationships, and there are some especially intense moments, but it’s all approached deftly by the cast and director Sharon Hunter that it never seems too heavy, even though there’s a lot to think about here. It’s a profound story and a rich portrayal of well-drawn characters. The relationships between the characters and some of the more philosophical and mathematical concepts are also portrayed in a fascinating way, and I can see why this play won a Pulitzer. Proof marks another strong showing for this relatively new theatre company.

Oliver Bacus, Summer Baer
Photo by Phillip Hamer
Moonstone Theatre Company

Moonstone Theatre Company is presenting Proof at the Kirkwood Performing Arts Center until April 10th, 2022

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