Posts Tagged ‘seth sklar-heyn’

Come From Away
Book, Music and Lyrics by Irene Sankoff and David Hein
Directed by Seth Sklar-Heyn
Choreographed by Jesse Robb
The Muny
July 1, 2025

Heidi Blickenstaff (Front) and Cast
Photo by Phillip Hamer
The Muny

The world had a crisis and Gander, Newfoundland stepped up. It’s become a well-known story of September 11, 2001, as planes were grounded on the remote Canadian island and the small town and neighboring towns played hosts to approximately 7,000 displaced airline passengers and crew. Come From Away, the musical that tells Gander’s story, is a folksy, heartfelt tale with much well-place humor, celebrating hospitality, ingenuity, and humanity, as a few thousand people worked to find hope amid the heartbreaking tragedy of 9/11. Currently onstage at the Muny under the direction of Seth Sklar-Heyn, this remarkable show is being staged with heart, energy, and a stunning mixture of complexity and simplicity. 

There is a fantastic cast assembled, with each performer playing a variety of roles. The cast here appears to be slightly larger than the touring cast I saw a few years ago at the Fox, but it’s not too big as to overwhelm the heartfelt simplicity of this show, with its intertwined tales based on real accounts of people who lived through those days in Gander almost a quarter century ago. The music is a mixture of folk-inspired tunes and traditional Broadway sounds, and the look is stunningly memorable, with a simple but beautifully decorated autumnal-themed set by Edward E. Haynes, Jr., memorable mood lighting by Rob Denton, excellent video design by Mike Tataj, and colorful costumes by Gail Baldoni. The orchestra led by music director Evan Roider adds a lush tone to the memorable score, and the overall local atmosphere that, despite having a host of featured characters, features Gander as the show’s real “star”.

While the overall tone is one of hospitality and hope, there is real poignancy here as well as flawed humanity on display, as strained relationships, xenophobia and distrust for a Muslim character are depicted amid the stories of the largely well-meaning Newfoundlanders working to make the most suitable temporary home for their thousands of guests. Standout subplots include SPCA worker Bonnie (Andréa Burns) trying her best to care for the various animals on the grounded planes; as well as a friendship that develops between local schoolteacher Beulah (Zoe Vonder Haar) and passenger Hannah (Tamika Lawrence), who waits for news of her NYC firefighter son. There’s also the budding attraction between the British Nick (John Bolton) and Texan Diane (Ashley Brown), the first day on the job of local TV news reporter Janice (Abigail Isom), and the story of Beverley Bass (Heidi Blickenstaff), who pilots one of the stranded planes and also gets to tell her true life story in the show-stopping “Me and the Sky”. The locals and visitors are well represented, with one of the most memorable scenes being what’s called a “Screech In” at a local bar, in which some of the “Come From Away” guests are inducted as honorary Newfoundlanders in a fun, quirky ceremony .

The cast is fantastic across the board, with standouts being those already mentioned, as well as Adam Heller as the town’s mayor, Alan H. Green as a passenger who starts out suspicious of the locals’ hospitality but grows to appreciate it, and Trey DeLuna and Jason Tam as a pair of bickering boyfriends both named Kevin. The entire cast is full of energy, telling the story in a way that credibly conveys the confusion, struggle, heartbreak, humanity, and hope in this remarkable story.

Come From Away isn’t a long show. In fact, it’s one of those rare shows that the Muny has done without an intermission. Still, it packs a lot of story, character, music, and emotion into its relatively short running time. It’s a profoundly affecting and unique piece of theatre. 

Ashley Brown, Zoe Vonder Haar, John Bolton, Adam Heller
Photo by Emily Santel
The Muny

The Muny is presenting Come From Away in Forest Park until July 2, 2025

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Les Misérables
A Musical by Alain Boublil and Claude-Michel Schönberg
Based on a Novel by Victor Hugo
Music by Claude-Michel Schönberg, Lyrics by Herbert Kretzmer
Original French Text by Alain Boublil and Jean-Marc Natel
Directed by Seth Sklar-Heyn
Choreographed by Jesse Robb
The Muny
June 18, 2024

Jordan Donica, John Riddle
Photo by Phillip Hamer
The Muny

Les Misérables is a modern classic musical. Based on Victor Hugo’s 19th Century French novel, this show has taken the world by storm over the past 40 years. Now, the Muny is staging their third production of this epic show in Forest Park, and it’s a staging that more than lives up to the show’s epic reputation. With well thought-out direction by Seth Sklar-Heyn that highlights the meaning of moments both big and small, along with first rate singing, a stellar cast, and impressive production values, the Muny’s season is getting off to a spectacular start. 

This story has become quite familiar to anyone who has seen the show, read Hugo’s sprawling novel, or watched any of the filmed adaptations (musical and non-musical) of the book. It’s a story of love, loss, redemption and revolution, with a backdrop of class struggles around France in the first half of 19th Century. The focus is mainly on  reformed escaped convict Jean Valjean (John Riddle)–who has vowed to turn his life around after a life-changing encounter with the forgiving Bishop of Digne (Ken Page). Valjean’s persistent nemesis is the determined, unforgiving Inspector Javert (Jordan Donica), who has made it is mission to track down Valjean and return him to prison. Meanwhile, Valjean meets the tragic Fantine (Teal Wicks) and feels honor-bound to care for her young daughter Cosette (played as a child by Kate Kappel, and as a young woman by Gracie Annabelle Parker), who is initially being cared for and neglected by the greedy Thénardier (Red Conceptión) and his equally greedy wife, Madame Thénardier (Jade Jones). Eventually, the scene shifts to a decade later in Paris, where the Thénardiers are leading a gang of con artists and thieves, and their daughter Éponine (Emily Bautista) is enamored with the idealistic young student Marius (Peter Neureuther), although he only has eyes for the newly-arrived Cosette. The students, led by Enjolras (James D. Gish) are planning a rebellion, and Javert is planning to foil it, although he is soon distracted when he becomes aware that Valjean is now in town. All the plans, ideals, hopes, dreams, and schemes come together in the explosive second act, and anyone who knows the story is aware of where it all leads. Romance, redemption, tragedy, comic relief, idealism, and hope are all in store, and at the Muny, the result is simply thrilling.

This production is staged with a great deal of thought and care, filling the huge Muny stage with a massive cast, but still managing to maintain a degree of intimacy when necessary, and emphasizing the meaning of the words in this epic-scale show. It’s highly personal, with particularly impressive personnel on hand in the key roles. Riddle is a noble, relatable Valjean, with a soaring voice and obvious connection with Fantine, Marius, Cosette, and–in a more combative sense–Javert. Donica  gives a powerful performance as Javert, with a stubborn determination and a magnificent voice that is sometimes reminiscent of original Broadway Javert Terrence Mann. Conceptión and Jnooes are energetic scene-stealers as the scheming Thénardiers, as well. The younger characters are also well cast, with Bautista as a particularly sympathetic Éponine, Neureuther and Parker showing strong chemistry as Marius and Cosette, and Gish makes for a charismatic Enjolras. Kappel as Little Cosette and Will Schulte as street urchin Gavroche also give winning performances. It’s a strong cast all around, with truly spectacular vocals from the ensemble, bolstered by a group of singers from the St. Louis Symphony Chorus. Ensemble numbers like “One Day More” and the finale simply soar with strong harmonies and lush vocal arrangements. There’s also energetic choreography by Jess Robb that adds to the overall dynamics of the story.

This is an impeccably staged production, with a clever, versatile set by Ann Beyersdorfer that consists of various moveable pieces that can be arranged into many different configurations. The barricade scenes are especially striking here. There’s also remarkable lighting by Jason Lyons, sound by John Shivers and Davide Patridge, and video design by Shawn Duan that add to the epic atmosphere of the story. The costumes by Gail Baldoni and wigs by Ashley Rae Callahan are also impressive, suiting the characters well and adding to the overall look of the production. There’s also a great Muny orchestra led by music director James Moore, bringing the well-known score to life with vibrancy and resonance.

If you love Les Misérables, I think you’re likely to especially love this version. It has spectacle and impressive production values, as well as poignancy and heart. It’s a thrilling beginning for what promises to be a marvelous 2024 season at the Muny.

Cast of Les Misérables
Photo by Phillip Hamer
The Muny

The Muny is presenting Les Misérables in Forest Park until June 23, 2024

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