King Hedley II
by August Wilson
Directed by Ron Himes
The Black Rep
June 21, 2024
Geovonday Jones, Karamuu’ Kush, A. C. Smith, J. Samuel Davis
Photo by Keshon Campbell
The Black Rep
The Black Rep is closing out its season with a memorable production of August Wilson’s King Hedley II. As part of a well-known cycle of plays, each one set in a different decade of the 20th Century–mostly in Pittsburgh’s Hill District–this play takes the audience to a backyard in that neighborhood in 1985. With a strong cast and excellent production values, it’s an impressively realized staging that explores a variety of issues in the lives of its characters and the world around them.
While many of the plays in Wilson’s cycle are connected through themes and (mostly) off-stage characters, King Hedley II is even more directly related to one of the previous plays, Seven Guitars, which the Black Rep last staged in 2017. The play’s title character, King Hedley II (Karamuu’ Kush) is named for a character in the previous play, and other characters from that play appear in this one, while others are mentioned, and some are relatives of previous characters. The sense of the passage of time, progress (or lack thereof), and the concepts of ambition and carrying on a legacy are emphasized by the connection to the earlier plot and characters.
In this play, King Hedley II has been recently released from prison, and wants to make a new life for himself and his wife, Tonya (Alex Jay) by opening a video store with his friend Mister (Geovonday Jones). They are raising the money by selling refrigerators, but they are evasive as to the appliances’ origin and storage location. King also reckons with his past, as the cousin of the man he killed is apparently out for revenge, and his mother Ruby (Denise Thimes) deals with her own past, as the reappearance of her old paramour Elmore (J. Samuel Davis) reminds her of past regrets and tragedies, as well as a long-held secret she is keeping from King. Meanwhile, there is the neighbor known as Stool Pigeon (A.C. Smith), who acts as something of a prophetic figure, promising a future apocalyptic event, hoarding newspapers, and indulging in cryptic rituals that threaten to disturb King’s newly planted flower seeds in a patch of backyard dirt. There’s a good deal of symbolism, as well as well-drawn characters and a sense of striving and persistence amid adversity that characterizes this story, even to the point of potential self-destruction. It’s a profound, incisive, insightful look at a group of characters and their overall situation in life, as well as a more overarching examination of the hopes, dreams, and struggles of Black Americans in the city in the 1980’s.
The characters are memorable and especially well-portrayed by an excellent cast, led by Kush in a commanding performance as the stubbornly ambitious King Hedley II. Kush has a strong stage presence, making the rest of the characters’ emotional connection to him especially credible. There’s also a strong turn from Thimes as the once-promising young singer Ruby, who is now older and full of regrets while still hoping for a better life for her son and a better relationship with him. Davis, as the smooth-talking gambler Elmore, is also impressive, as is Smith as the insistently prophetic Stool Pigeon. Jones as Mister and Jay as Tonya are also memorable, rounding out the first-rate ensemble cast that drives the plot and themes of this story with energy and strong emotion.
Visually, the show is nothing short of stunning in its realization, with a detailed set by Timothy Jones that transports the audience to a specific time and place, with strong support from Mikhail Lynn’s props. The costumes by Kristie Chiyere Osi are well-suited to the characters, adding to the overall atmosphere of the show. There’s also excellent work from lighting designer Travis Richardson and sound designer Alan Phillips, bringing the world of the play to life with a vivid sense of atmosphere and mood.
King Hedley II, as staged at the Black Rep, is a profoundly affecting tale of persistence, legacy, tragedy, and stubborn hope. Its blend of stark realism and fantastical symbolism is memorable, as is the strong casting and excellent pacing. It’s a memorable work from one of the best playwrights of the 20th Century, and another strong production from the Black Rep.
Denise Thimes, Alex Jay, Karamuu’ Kush
Photo by Keshon Campbell
The Black Rep
The Black Rep is presenting King Hedley II at Washington University’s Edison Theatre until July 14, 2024
