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The Crucible
by Arthur Miller
Directed by Gary F. Bell
Stray Dog Theatre
February 7, 2019

Gerry Love, Chrissie Watkins, Chuck Lavazzi, Graham Emmons, Cynthia Pohlson
Photo by Dan Donovan
Stray Dog Theatre

First it’s Henrik Ibsen, and now it’s Arthur Miller. Stray Dog Theatre has been having a lot of success with productions of classic plays lately. This time, instead of 19th Century Norwegian plays, like its excellent productions of A Doll’s House and Hedda Gabler, the company has turned to the work of a legendary 20th Century American playwright and one of his best known works, The Crucible. Like the first of the aforementioned Ibsen plays, The Crucible is a play I had read but never seen. Now, at Stray Dog’s Tower Grove Abbey, I’ve seen it, and it’s a remarkable success.

This is a long play, with four acts and running about three and a half hours. It’s also a large cast for SDT, and a heavy subject matter, with Miller’s portrayal of the historical Salem Witch Trials told through the lens of 1950s McCarthyism. It’s not a precisely accurate account of the trials themselves, but this is more of a parable about the dangers of groupthink, peer pressure, overreaching government control, and more. The story starts as the Reverend Samuel Parris (Ben Ritchie), a respected pastor in the community, discovers some local girls dancing in the woods, including his young daughter, Betty (Avery Smith) and his orphaned¬† teenaged niece, Abigail Williams (Alison Linderer). Soon, other teenage girls from the community are identified, as well as Tituba (Kelli Wright), who Parris brought back from Barbados as a slave, and although she is initially suspected as the instigator it soon becomes clear that somebody else is in charge. There’s also Reverend John Hale (Abraham Shaw), a minister from a neighboring town who is brought in to investigate the charges of witchcraft and demonic influence, which eventually affects the whole village, particularly farmer John Proctor (Graham Emmons) and his wife, Elizabeth (Cynthia Pohlson)–who had recently dismissed Abigail from their employment–and Mary Warren (Chrissie Watkins), who now works for the Proctors and is a good friend of Abigail’s. Other prominent members of the community and church, including the highly respected Rebecca Nurse (Suzanne Greenwald) and the wife of landowner Giles Corey (Gerry Love) are suspected, with the accusations coming from Abigail and her friends, as well as influential landowners Thomas and Ann Putnam (Tom Moore and Laura Kyro). When prominent judges and officials Judge Hathorne (Jonathan Hey) and Deputy-Governer Danforth (Joe Hanrahan) become involved in the trials, it seems like most of the authorities are more interested in reputation and the process then in the truth.

The play is carefully constructed, introducing the main characters gradually and building the drama as each act progresses, with some particularly intense moments in the courtroom and with a memorable, devastating conclusion. The casting at¬†SDT is especially strong, led by the poignant performances of Emmons and Pohlson as the conflicted Proctor and Elizabeth. Their relationship, strained at first, develops with believable emotion and chemistry. Linderer, as the initially enigmatic, manipulative Abigail, is also excellent, with some particularly strong moments in scenes with Emmons and with her friends/followers in the courtroom. There are also standout performances from Watkins as the conflicted Mary Warren, Hanrahan as the authoritarian Danforth, Shaw as the concerned and conflicted Hale, Greenwald as the noble Rebecca Nurse, Love as the determined Giles Gory, and more. It’s an especially strong ensemble, and the staging is well-paced and emotionally balanced, with the intense moments set up appropriately and significant time given to the more quiet moments as well.

Technically, this production is powerful, as well, with a striking, somewhat abstract set by Josh Smith and realistic costumes by Amy Hopkins. The lighting by Tyler Duenow and sound by Justin Been are also strong, with a poignant (if sometimes overdone) use of background music. The production design works well in emphasizing the historical basis of the play as well as it’s timely and timeless themes.

The Crucible is a classic, relevant in its time and just as relevant in contemporary times, when its various issues are especially applicable. With this production, SDT and director Gary F. Bell have assembled an exceptional cast for an immediate, intense and fascinating production. It’s another powerful staging of a classic by Stray Dog Theatre.

Cast of The Crucible
Photo by Dan Donovan
Stray Dog Theatre

Stray Dog Theatre is presenting The Crucible at Tower Grove Abbey until February 23, 2019

 

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