Posts Tagged ‘the repertory theatre of st. louis’

Ring of Fire: The Music of Johnny Cash
Written by Richard Maltby, Jr., Conceived by William Meade
Directed by Kate Bergstrom
The Repertory Theatre of St. Louis
March 20, 2026

Cast of Ring of Fire
Photo by Jon Gitchoff
The Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis’s latest production is a celebration of a man and his music, with the music taking the lead. Ring of Fire: the Music of Johnny Cash has been done at the Rep before, although this version, directed by Kate Bergstrom, seems a bit more dramatically focused, although music is still the star, with an excellent cast who all play instruments and make this “life of a musician” retrospective especially compelling, along with the show’s focus on talented but flawed individual who made the music. 

The show, featuring a cast of six players includes two “Johnny Cash” figures–the older Johnny (Kurt Zischke), who serves as the primary narrator; and the younger “J.R” (Andrew Frace), who figures in much of the developing story of Cash as a rising young performer. The production uses music to tell a fairly streamlined story of Cash’s life and career, featuring his parents (Zischke and Kim Blanck), his first wife, Vivian (Blanck), and most prominently his second wife, June Carter Cash (Caitlin McKechney), as the older Cash looks back on his life and personal choices. All along, the music is there, setting the mood and underscoring the story, as the musicians play expertly, including Eric Scott Anthony as Marshall and Ryan Guerra as Luther–Cash’s bandmates. It’s a story of hardship, love, and loss; aspiration, failure, and success; redemption and hope, all with the soundtrack of Cash’s classic hits like “I Walk the Line”, “Folsom Prison Blues”, “I’ve Been Everywhere”, and “Ring of Fire”, along with some country classics and traditional hymns. 

The music is the star, as I wrote, but the cast is simply magnificent as well, doing justice to the songs and overall spirit of musicianship and perseverance in trials. Zischke and Frace are both excellent as the older and younger versions of Cash, both managing to sound a lot like the singer in his different ages and eras. Frace especially gets the swagger and tone of the young Cash just right, as well as the stage presence, and Zischke has the right air of gravity and occasional melancholy as the older Cash looking back on his life. Zischke also has some fun moments early in the show as Cash’s father, paired with the personable and equally strong McKechney as Cash’s mother. McKechney is also ideally cast as June, managing to look and sound a lot like the real June, while playing a variety of instruments with dexterity and style and displaying believable chemistry with both “Johnnys”.  Blanck is also strong musically, especially on the fiddle, as well as getting a poignant moment as the neglected Vivian singing the heartbreakingly genuine “I Still Miss Someone”. Anthony and Guerra round out the cast with their superb musicianship, likable presence, and seemingly boundless energy. While the story itself isn’t exactly a thorough biography, it’s mostly about feelings, memories, and music, and all the players work well together getting that spirit across with flair.

In a technical sense, the show is simply and solidly staged, with an effective unit set by Scott C. Neale that reflects Cash’s farming roots and the traditions of country music. It’s all well lit by lighting designer Jayson Lawshee-Gress, with strong work by sound designer Amanda Werre, as well. The cast is outfitted with impressive country style by costume designer Renee Garcia, and there’s a bit of energetic country choreography by Taavon Gamble.

Overall, Ring of Fire is immensely entertaining, even if it is more concert than play. It should especially appeal to fans of traditional country music, and especially Johnny Cash. It’s certainly a crowd pleaser, and a highly enjoyable evening of musicianship, energy, and emotion in celebration of an imperfect but irreplaceable country music legend.

Andrew Frace, Kurt Zischke
Photo by Jon Gitchoff
The Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis is presenting Ring of Fire: The Music of Johnny Cash at the Loretto-Hilton Center until April 12, 2026

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The Brothers Size
by Tarell Alvin McCraney
Directed by Jacqueline Thompson
Choreographed by Kirven Douthit-Boyd
The Repertory Theatre of St. Louis
October 24, 2025

Nic Few, Christian Kitchens
Photo by Jon Gitchoff
The Repertory Theatre of St. Louis

The Brothers Size is unique, while at once being both specific and universal. The newest show in the Rep’s Steve Woolf Studio Series, this haunting, lyrical play tells a story of mythic scope, that is also highly personal, gritty, and challenging. It’s also a wonder of acting, movement, and stagecraft. 

The play, which is part of a trio of works by playwright Tarell Alvin McCraney, follows two brothers living in Louisiana–the older, Ogun (Nic Few), and the younger Oshoosi (Christian Kitchens). Ogun, a mechanic who owns an auto shop, is focused on work and duty, while Oshoosi–who has recently been released from prison–is full of dreams and nebulous plans, which only increase Ogun’s concern for him. There’s also Elegba (Donald Jones Jr.), a friend of Oshoosi’s from prison whose presence further unsettles Ogun while tempting Oshoosi to more risky aspirations and actions. It’s a story of multiple issues on different levels–familial, interpersonal, cultural, and societal, and a growing sense of unsettling inevitability about what’s going to unfold. 

It’s a gritty, intense tale, taking a mythic structure combining elements from the West African Yoruba belief system with occasional Christian references and a general overarching spiritual tone, told in a form that combines elements of music and dance to heighten the overall “cosmic struggle” theme and atmosphere. Music and sound by composer Tre’von Griffith and smooth, flowing choreography by Kirven Douthit-Boyd combine expertly to help tell this story and emphasize the emotion and conflict. There’s also powerfully effective lighting by Jayson M. Lawshee and memorable costume design by Kristie C. Orsi that works to help define the characters and further the story and themes. The staging, in the round with no concrete set, is almost deceptively simple,  working to powerful effect as director Jacqueline Thompson’s pacing builds the tension and sense of motion in the story.

The cast is fantastic, led by a strong turn by Few as the devoted but strict Ogun, and Kitchens as the restless, more carefree Oshoosi. Few has a powerful stage presence and credible sense of love and exasperation with his brother. Kitchens brings a sense of youthful energy to Oshoosi that adds relatability to his recklessness. These two also present a believable, affecting brotherly relationship. Jones is also a strong presence as the enigmatic, ineffable Elegba, and all three players are excellent in movement and energy, exhibiting a fluid energy that propels the drama. 

There are a lot of weighty issues dealt with in this show, and some strong language and topics that aren’t for all ages. It’s an important story in terms of human struggle, as well as highly specific to the characters and their situation, and intensely personal. It also features a host of local talent on the creative team, which is great to see. The Brothers Size is a play that will make audiences think, as well as feel. It’s a profound experience of theatre.

Donald Jones Jr., Nic Few, Christian Kitchens
Photo by Jon Gitchoff
The Repertory Theatre of St. Louis

The Repertory Theatre of St. Louis is presenting The Brothers Size until November 16, 2025

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