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Triassic Parq: The Musical
Book, Music, and Lyrics by Marshall Pailet
Book and Lyrics by Bryce Norbitz and Steve Wargo
Directed by Justin Been
Choreographed by Michael Hodges
Stray Dog Theatre
April 15, 2022

Rachel Bailey, Bryce Miller, Tristan Davis, Michael Wells, Dawn Schmid
Photo by John Lamb
Stray Dog Theatre

Stray Dog Theatre is going on a modern prehistoric adventure with an entertainingly goofy show that presents itself as a parody of a well-known book and movie franchise. It’s not Jurassic Park, but it is, sort of; or it uses that story as a starting point before going its own way, with its funny title, silly and frequently raunchy humor, and dinosaurs galore. In fact, it’s the dinosaurs who take center stage here, played by an impressive, enthusiastic cast, and featuring some catchy songs and eye-catching production values. 

This story leans into the silly humor, and the dinosaur-theming. The lead characters are dinosaurs, and the humans are mostly only mentioned and not seen, with one notable exception–a funny “cameo” by initial narrator Morgan Freeman (Laurell Stevenson) Even the band is presented as made up of dinosaurs. billed as Pianosaurus (Leah Schultz), Guitarotops (Adam Rugo), and Drumadon (Joe Winters). Pianosaurus even figures into the story and interacts with the main characters at various points. Those main characters are, as one might expect knowing the source material, mostly velociraptors and t-rexes, with the addition of another dino called “Mime-A-Saurus” (Bryce Miller) who figures into the story both as a character and as occasional scenery. The key figures are a trio of velociraptors, The Velociraptors of Faith (Michael Wells), Innocence (Tristan Davis), and Science (also Stevenson), as well as two tyrannosaurs, T-Rex 1 or “Kaitlyn” (Dawn Schmid), and her BFF T-Rex 2 (Rachel Bailey). As is explained in the intro that echoes the film, all the dinosaurs are female, or are supposed to be, so they won’t reproduce. Well, that may have been the plan, but soon T-Rex 2 starts exhibiting some strange symptoms and behavior, which leads to some complicated situations which disrupt the established order of things that has been emphasized and enforced by the dinosaurs’ de facto leader and spiritual advisor Faith, who leads the dinosaurs’ religion that centers around worshiping the lab that produced them, as well as hiding uncomfortable truths from Innocence, who Faith refers to as her “Little Miracle”, and is consistently given special treatment, which both confuses and fascinates Innocence. In the midst of the chaos that’s building from T-Rex 2’s discovery as well as Faith’s continued avoidance and efforts to hide uncomfortable truths, Innocence goes on a quest to find the “Exiled One”, Science, who has been sent away from the others after a conflict with Faith. In the midst of the story, the referential humor continues, with jokes involving lines and events especially from the first of the Jurassic Park films. 

While there is a message here, which seems to be a lot about fear of the unknown (as director Justin Been points out in his note in the program), as well as the need for honesty and communication, what stands out the most is the over-the-top humor, including the dinosaur puns, referential jokes, raunchy moments, and more. The songs are mostly rock-based, and are presented well by the cast, who are in excellent voice. The comic timing is strong, as is the ensemble chemistry, with impressive individual performances from all, with a particularly strong turn from Davis as Innocence, who brings a great deal of presence, likability, and soaring vocals to the role. Stevenson is also a standout in two notable roles as well as a small ensemble role, showing off especially strong comic abilities. Schmid as Kaitlyn/T-Rex 1 has a strong voice as well, and a fun, quirky energy, working well with the equally strong Bailey as the conflicted T-Rex 2. Wells, as Faith, handles a difficult role well, and Miller, as Mime-O-Saurus, adds some fun comic moments especially with physical comedy. 

The look and atmosphere here are eye-catching, with a well-realized set by Josh Smith that effectively evokes the setting of the source film without exactly copying it. There’s also dazzling lighting by Tyler Duenow, as well as whimsical, colorful costumes by Eileen Engel that suit the characters well, presenting them as dinosaurs in a more stylized rather than literal way, with some flashy, rock-band like looks. And speaking of bands, there’s a great one here, led by music director Schultz, who also does well with a few small acting moments. The choreography, by Michael Hodges, is energetic and in keeping with the spirit of the production, as well.

This show started at the New York Fringe Festival before eventually running Off-Broadway, and it has the look and attitude of a fringe production. It’s not super deep or profound, and many of its themes have been done before, but it’s fun, flashy, and at SDT, boasts a great cast with strong voices and lots of enthusiasm. It provides for a fun evening at the theatre, especially if you like raunchy, irreverent humor and memorable, rock-based singing. It’s another crowd-pleaser from SDT.

Dawn Schmid, Michael Wells, Laurell Stevenson, Tristan Davis, Bryce Miller, Rachel Bailey
Photo by John Lamb
Stray Dog Theatre

Stray Dog Theatre is presenting Triassic Parq: the Musical at Tower Grove Abbey until April 30, 2022

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