Who’s Afraid of Virginia Woolf?
by Edward Albee
Directed by Gary F. Bell
Stray Dog Theatre
February 9, 2023
Stephen Henley, Stephen Peirick, Claire Wenzel, Mara Bollini
Photo by John Lamb
Stray Dog Theatre
Who’s afraid of an acting challenge? Apparently not Stray Dog Theatre, director Gary F. Bell, and his first rate cast in an Edward Albee classic. Who’s Afraid of Virginia Woolf? is famous for its intense plot, strong characterizations, and the intensity of its performances. The roles of Martha and George, especially, have been played in various productions by a succession of acclaimed actors. Here, Bell has assembled a top-notch cast of local performers and staged a volatile, highly charged production of this portrait of troubled relationships, shattered dreams, and alcohol-fueled revelations. It may not be an easy play to watch, considering the tension and emotional fireworks, but its expertly played and a must-see for the sheer caliber of the performances.
The basic plot, set in 1962 New England, involves middle-aged couple George (Stephen Peirick) and Martha (Mara Bollini), who have been married for over twenty years and whose relationship has become a picture of resentment, regret, and repeated exercises in mutual mocking and caustic bickering. He’s a professor at a small college, and she’s the daughter of the institution’s president. When the action begins, they’ve just returned from a party, and after some banter, Martha informs George that she has invited some guests from the party to join them for drinks–a new professor, Nick (Stephen Henley), and his wife, Honey (Claire Wenzel). Soon, the young couple arrive, and a series of emotional games ensues, challenging both relationships and resulting in a series of revealing tales and shocking discoveries.
With its intense subject matter, not-easy-to-like characters, and over three-hour running time, this play can seem daunting to the unfamiliar. Still, even though it’s long and intense, Albee’s script is intelligent and incisive, and the roles are oft-coveted by actors. It’s a play that requires the audience to pay attention, and the script, along with the excellent performances here, make it hard to look away, even when the situations can become awkward and challenging. It also helps that this production has set the scene so well–with a well-realized, period-appropriate set and costumes by director Bell, and excellent atmospheric lighting by Tyler Duenow and sound by Justin Been.
The centerpiece of this production, though, is its first-rate performances and thoughtful, dynamic staging. Peirick and Bollini are well-matched as the constantly sparring George and Martha. Their chemistry is strong and credible, managing even amidst the mind games to convey the sense that this difficult marriage once had its happier, more hopeful moments. These are big personalities, but neither becomes a caricature, with Bollini communicating Martha’s sharper aspects as well as an underlying sense of sadness and regret, and Peirick matching in her in energy while also showing George’s hurt and weariness. It’s a remarkable set of performances, with strong support from Henley as the initially guarded, ambitious Nick, and Wenzel, whose initially clueless Honey masks very real regrets of her own. The interplay between all four characters provides the “action” here, and its turns halting, volatile, and emotionally devastating.
There’s a lot to think about in this play, with its boldly defined characters and explorations of societal expectations in an early 1960s academic setting, as well as its look at how years of expectations and disappointments can affect a relationship. Its themes obviously still resonate today, roughly 60 years after the play first premiered, considering how often this play has been staged over the years. Here in St. Louis, audiences are fortunate to have this first-rate production to witness. It’s a remarkable staging from Stray Dog Theatre.
Claire Wenzel, Mara Bollini
Photo by John Lamb
Stray Dog Theatre
Stray Dog Theatre is presenting Who’s Afraid of Virginia Woolf? at Tower Grove Abbey until February 25, 2023
