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4,000 Miles
by Amy Herzog
Directed by Edward Coffield
New Jewish Theatre
May 11, 2017

Chris Tipp, Amy Loui
Photo by Eric Woolsey
New Jewish Theatre

4,000 Miles closes out New Jewish Theatre’s 20th season. Essentially a character study with a slight but intriguing plot, this play emphasizes relationships and lets its audience gradually learn about the characters, as those characters gradually learn to discover truths about themselves. It’s also a strong showcase for its excellent cast.

The story starts abruptly, as Leo (Chris Tipp) arrives in the middle of the night at his grandmother’s apartment in New York’s Greenwich Village after a cross-country bike trip. The grandmother, Vera (Amy Loui), is surprised but concerned because nobody had heard from Leo in a while, and she insists he stay the night. At first, Leo says he’s not going to stay long, and Vera doesn’t expect him to, but the days go by, and he doesn’t leave, and over the course of the play we learn more about these characters as they learn to depend on one another in different ways, as the story of Leo is actually here gradually unfolds. The story focuses primarily on the young Leo and the feisty, 91-year-old Vera, although other characters do figure into the story as well, including Leo’s girlfriend from back home who goes to college in New York, Bec (Rachel Fenton), with whom he has a complicated relationship.  There’s also Amanda (Grace Langford), a young woman Leo brings home one night, and whose interactions with him reveal even more about his character and his motivations. Mainly, though, this play is about Leo and Vera, and what we learn about both characters and the issues they deal with that are shown as they spend time together. Issues of challenged idealism, loneliness, loss of friends and loved ones, and the simple power of personal relationships are key elements of this play. It’s an intriguing story, but this is more about the characters than the story really, and the end is even more abrupt than the beginning.

The performances here are the true highlight of this show. Loui is obviously playing much older than her actual age here, which makes her portrayal all the more impressive in its sheer credibility. It’s easier for a younger performer playing older to exaggerate mannerisms or speech patterns, but Loui doesn’t do that here. In fact, she does an excellent job of making me believe she really is 91. She also brings a believable mix of feistiness and reflection to the role. Her Vera is immensely likable, and her interactions with Tipp are the best part of this show. Tipp, as the initially enigmatic Leo, brings sympathy and charm to his role. His sense of regret is clearly evident in his portrayal, as is his admiration and affection for Vera.  There are also strong performances from Fenton as the conflicted Bec, and Langford as Amanda, who makes the most of her short time on stage. Annie Barbour also effectively and poignantly contributes her off-stage voice as a key character who learn about primarily through stories told by the onstage characters.

The play’s setting of Vera’s older, rent-controlled Greenwich Village apartment is well-realized here in the detailed scenic design by Marissa Todd. This looks like a real place where a real person lives. Michael Sullivan’s lighting appropriately illuminates the space as well as helping to set the mood for the various moments in the story, and Zoe Sullivan’s sound design is strong as well. The performers are appropriately outfitted by costume designer Michele Friedman Siler, with various small elements in the costuming lending insight into the characters. Laura Skroska’s props also contribute well to the story. My only minor quibble is that Leo’s bicycle looks entirely too clean and shiny at the beginning of the play, when Leo is supposed to have just arrived from a trip across the country. That really is a small issue, though. Otherwise, the technical elements of this play contribute well to the telling of this story.

4,000 Miles is a story of relationship mostly, and regrets and fears, and of the lives that lie ahead for people and the lives and people they’ve left behind, and how those people and experiences can stay with a person whether they are 21 or 91 or somewhere in between. It’s a superbly acted story with a good balance of drama and humor. The ending is a bit strange, as if it stops in the middle of the story, and I’m sure that’s deliberate but I’m not entirely sure if it works. Still, this is a play about the people, and about their connections and interactions and how those relationships shape and influence them. It’s an engaging, intriguing show, and the experience here is worth the trip.

Chris Tipp, Rachel Fenton
Photo by Eric Woolsey
New Jewish Theatre

New Jewish Theatre is presenting 4,ooo Miles at the Marvin & Harlene Wool Studio Theatre at the JCC’s Staenberg Family Complex until May 28, 2017

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