Posts Tagged ‘andrew lippa’

John & Jen
Book by Andrew Lippa and Tom Greenwald
Lyrics by Tom Greenwald, Music by Andrew Lippa
Directed by Trish Brown
Insight Theatre Company
July 15, 2016

Spencer Davis Milford, Jenni Ryan Photo by John Lamb Insight Theatre Company

Spencer Davis Milford, Jenni Ryan
Photo by John Lamb
Insight Theatre Company

Brother and Sister. Mother and Son. These are important relationships to which many theatre goers will be able to relate, dealt with in Andrew Lippa and Tom Greenwald’s two-person musical John & Jen, which is currently being presented by Insight Theatre Company. The production is well-cast, for the most part, and provides an intriguing look at one woman and two important relationships in her life.

The story features two performers playing the characters at various ages and stages of their lives. Jen Tracy (Jenni Ryan) is six years old when her brother John (Spencer Davis Milford) is born, and we get to see the dynamics of their relationship as both grow up and learn to deal with the world around them and with a domineering, sometimes violent father. Jen’s wish to protect her brother conflicts with her desire to get away from her hostile home environment, and as she goes to college in the 1960’s and gets caught up in anti-war activism, John stays home under the influence of his father and eventually finds his own views about the war and life conflicting with Jen’s. This relationship has a profound impact on Jen, who later names her own son (also Milford) after her brother. We get to watch as Jen becomes a loving but sometimes overprotective mother, and as young John grows and learns to assert his own independence. The mother-son relationship is alternately strong and strained, as Jen learns to deal with her own personal issues regarding her brother and how she relates to her son.

There isn’t a lot more detail I can go into without spoiling too much, but essentially this is a character study. The primary focus is on Jen, with relationships with her brother and son providing insight into her own issues of attachment, guilt, and conflict about how to be a good mother to her son. The two performers give strong performances, with both convincingly portraying the characters at different ages, and with Milford especially doing an excellent job distinguishing between the two characters he plays, both named John. Milford also has a strong singing voice, performing the show’s songs well and displaying a great deal of energy on songs like “Dear God”, “Little League”, and “Bye Room”. Ryan, while giving a convincing acting performance, sometimes struggles with the singing, particularly as many of the songs seem a little to high for her range. Both performers portray convincing relationships, first as brother and sister, and then as mother and son, and the conclusion of the play is particularly affecting.

The show is performed on a minimalist set designed by Kyra Bishop–consisting of a series of ramps, platforms, a wall, and a swing– that provides an effective backdrop for the action of the show. There’s also excellent use of projections–also designed by Bishop and filmed by David Sanford–and Leah McFall’s excellent costumes to effectively portray the changing times as the story moves from the 1950’s and eventually into the 1980’s.  There’s also excellent lighting from Oliver Littleton and sound by Brett Harness.

John & Jen provides a lot for audience to think about, although the underlying message can be unclear at times. For the most part, though, this is a vivid, interesting character study looking at three people over the course of four decades of American history. Although the history is there as a backdrop, this is primarily a personal story, and as that it’s compelling to watch.

Spencer Davis Milford, Jenni Ryan Photo by John Lamb Insight Theatre Company

Spencer Davis Milford, Jenni Ryan
Photo by John Lamb
Insight Theatre Company

Insight Theatre Company is presenting John & Jen at Nerinx Hall’s Heagney Theatre until July 31, 2016.

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The Addams Family
Book by Marshall Brickman and Rick Elice
Music and Lyrics by Andrew Lippa
Directed by Marcia Milgrom Dodge
Choreographed by Vince Pesce
The Muny
September 14, 2014

Cast of The Addams Family Photo by Philip Hamer The Muny

Cast of The Addams Family
Photo by Philip Hamer
The Muny

One of the things I always loved about The Addams Family in all its incarnations is how much fun the characters always seemed to have as a family. From Charles Addams’s classic comic panels to the 1960’s TV series, to the feature films in the 1990’s, this was a family that, while noticeably unconventional,  offbeat and decidedly macabre, sincerely loved one another and made the most out of life.  I used to look forward to watching reruns of the show after school when I was younger, and I enjoyed the movies as well, but I have to admit I was skeptical about the musical. I had heard of the mixed reviews on Broadway, and the adjustments to the show that were made for the tour, and I just didn’t know what to expect. The cast, led by Muny veterans Rob McClure, Jenny Powers and Jennifer Cody, looked extremely promising, and I sat in my seat on opening night with high hopes.  I was not disappointed. In true Addams tradition, this is a show about love, lunacy and a great deal of laughs.  It’s a very fun show that blends elements of the cartoons, the TV show and the movies along with a new twist to make for a thoroughly enjoyable evening of theatre works surprisingly well on the giant Muny stage.

This version of the story, which seems to take some inspiration from theatrical classics like You Can’t Take It With You and La Cage aux Folles, takes the familiar characters and introduces new ones to tell a story of unlikely love, culture clashes, and parents’ dealing with their children’s growing up. The book by Marshall Brickman and Rick Elice is full of witty jokes, plot twists and revelations, and there are some memorable songs by Andrew Lippa as well as an echo of the iconic TV theme song in the overture (with the audience enthusiastically clapping and snapping along). After we are re-introduced to the famous family including Gomez (McClure), Morticia (Powers), Pugsley(Michael Harp), Grandma (Cody) and Lurch the butler (William Ryall) in an energetic, colorful production number called “When You’re an Addams”, the storytelling duties are then taken over by Uncle Fester (Steve Rosen), who serves as something of a Master of Ceremonies and tour guide through the ensuing story, which Fester reminds us is ultimately about love. Gomez and Morticia have to deal with the fact that their daughter Wednesday (Sara Kapner) is growing up. In fact, she’s met a nice, respectable young man, Lucas Beineke (Dan DeLuca), and they want to get married, which is part of the problem. Lucas’s parents, Mal (John Scherer) and Alice (Hollis Resnick) have been invited to dinner at the Addams mansion, and both Wednesday and Lucas are afraid of being embarrassed by their parents.  Meanwhile, Wednesday has confided a secret to Gomez, which she has made him promise not to tell Morticia, from whom Gomez never keeps secrets.  Gomez’s dilemma, along with the various culture conflicts and what happens when even more secrets threaten to be revealed, becomes the basis for a hilarious and heartwarming tale of love and unconventionality told only as an Addams could tell it.

While the darker, more overtly spooky atmosphere of the cartoons and the films is present as well, the general tone of the musical seems to be more in the vein of the TV show (albeit a little more risqué at times), with its broad comedy, sight gags and joke-a-minute humor.  The comedy is in excellent hands, as well, with Rosen as a Vaudevillian-styled Fester and Cody as the outspoken Grandma delivering many of the best jokes in scene-stealing performances. The “Full Disclosure” number that ends Act 1 is one of the funniest scenes I’ve ever seen at the Muny, with so much raucous humor that it’s difficult to pause and take a breath. Just when I thought I was laughing as much as I could, another joke would come along to make me laugh even more.  There are also some great moments for Kapner and Harp with the delightfully unhinged song “Pulled”, and for Resnick as the outwardly happy, frequently rhyming Alice, who gets to reveal her own dark secrets in a cathartic moment at the end of Act 1. She and Scherer as the bewildered Mal, along with a well-matched Kapner and DeLuca, also have an excellent moment in Act 2 with “Crazier Than You”. In fact, all the principals here are ideally cast, and everyone gets a moment to shine, including Fester with his sweet ode to his secret crush “The Moon and Me” (along with some excellent visuals on the scenery wall), and Ryall as Lurch, whose confusion about how to act when he meets the Beinekes is endearingly hilarious.  There are some great “breaking the fourth wall” moments as well, with Rosen’s little stand-up routine at the beginning of Act 2–featuring some Muny-specific jokes–being a real highlight.

As great as the supporting cast is, however, this being The Addams Family means the stars of the show have to be Gomez and Morticia, and the Muny has cast these celebrated characters very well indeed. Both McClure and Powers are at their best here, and that’s saying something, considering the excellent performances I’ve seen from them in past Muny shows. Something about these characters just seems to energize these two, and they work together with crackling chemistry and a great deal of charm. Powers is in great voice on songs like “Secrets” and her big production number “Just Around the Corner”. She displays just the right balance between elegance and enthusiasm, as well. McClure is a joy as Gomez, as well, bringing charisma, wit, emotion, comic timing and boundless energy.  He’s able to command the stage in a dynamic fencing routine, express his dilemma humorously in “Trapped”, and also share a poignant moment with Kapner’s Wednesday on the wonderful “Happy/Sad” in Act 2.  He and Powers are well-matched in their electric, expertly choreographed “Tango de Amor” as well. These two consummate professionals fill their roles with humor and style, leading a strong principal cast and equally excellent ensemble of undead ancestors, skeletons and such.

Visually, the set by Michael Schweikart fills the vast stage with just he right air of whimsical creepiness, with a detailed graveyard set and the house,which revolves to show different rooms such as the main hall and the dungeon. The costumes, designed by Andrea Lauer, are influenced by the earlier incarnations of the characters but are appropriately updated for this setting. I especially liked the individual styling of the various Addams ancestors.  There were some obvious issues with the sound on opening night, with a few lines being lost due to microphone problems, although I’m sure those will be sorted out as the show continues its run. Overall, this production a strong technical achievement, with elements fitting the overall darkly madcap atmosphere very well.

The Addams Family is, as Fester says, ultimately a story about love. It’s about trust, acceptance, and unconventionality, but its all tied together by love. While I think the original TV show will always be my favorite version of these characters, the musical is a surprising delight as well, especially in this larger-than-life production at the Muny.  It’s creepy, it’s kooky and it’s contagiously fun. This is a family that’s well worth getting to know, and the Muny provides an excellent–and outrageously funny–introduction.

Rob McClure, Jenny Powers Photo by Philip Hamer The Muny

Rob McClure, Jenny Powers
Photo by Philip Hamer
The Muny

 

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