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Tuesdays With Morrie
by Jeffrey Hatcher and Mitch Albom
Directed by Annamaria Pileggi
New Jewish Theatre
October 5, 2017

Andrew Michael Neiman, James Anthony
Photo by Eric Woolsey
New Jewish Theatre

 

The first production of New Jewish Theatre’s 21st season is the stage adaptation of Mitch Albom’s popular book Tuesdays With Morrie. It’s a two-man show, bringing to the stage two excellent local actors, continuing NJT’s tradition of excellent casting. I hadn’t read the book or seen the play, and I’m glad this has been my introduction to it.

The story is autobiographical, depicting the friendship between author and sportswriter Mitch Albom (Andrew Michael Neiman) and his former university professor, Morrie Schwartz (James Anthony). Mitch narrates the story, starting with how he first met and got to know Morrie at Brandeis University in the 1970s, but then lost touch after Mitch graduated and he threw himself into his career. After 16 years of no contact, Mitch finally sees Morrie on TV, being interviewed on Nightline. It’s through this program that Mitch learns of Morrie’s diagnosis with ALS, or Lou Gehrig’s Disease. Mitch then calls Morrie, who actually remembers him, and the phone call eventually leads to a visit, which becomes a series of visits in which Mitch gets reacquainted with Morrie as Morrie’s illness progresses. Over the course of a few months, Mitch and Morrie become close again, and Mitch learns a lot from Morrie about what really matters in life. We also see the devastating effects of Morrie’s condition, as the once energetic professor finds himself unable to perform basic everyday tasks, and Mitch has to help him more and more during his visits. It’s a vivid depiction of two men and their remarkable friendship as both of them learn to deal with issues of life, mortality, and priorities in different but highly personal ways.

It’s a moving story already, but what really makes this production is the casting. Neiman and Anthony are both excellent in their roles, with Neiman convincingly portraying Mitch’s journey from a workaholic who buries his emotions in his job to being forced to care about Morrie and his situation and reconsider his own outlook on life. Anthony, especially, is superb as Morrie, an intelligent, witty, and vital man who has to come to terms with his own physical decline and his impending death. It’s a remarkable performance, achingly realistic as Morrie’s motor functions first falter, and then gradually fail, while Morrie still maintains his passion for life and his concern for Mitch and everyone else around him. The later scenes in the play may be difficult to watch, as Morrie’s decline is more and more evident, and as Neiman and Anthony portray the increasingly close friendship between these two men as the inevitable approaches.

The production values here, as usual, are first-rate, with a detailed and imaginative set by Cristie Johnston that focuses on a large, leaning bookcase, and also effectively utilizes a turntable at a key point in the production. The sense of movement and passage of time is effectively achieved through the staging, as well. There’s also excellent work from lighting designer Michael Sullivan, costume designer Michele Friedman Siler, props master Sarah Azizo, and sound designer Amanda Werre, as all the technical elements work together to help bring the audience into Mitch and Morrie’s world.

Tuesdays With Morrie is an emotional play, portraying a full range of feelings and moods from humor to drama to heartrending sadness, to ever-persistent hope, as personified by Morrie and his relationship with and influence on Mitch. It’s an expertly staged and acted production that’s likely to bring laughter as well as tears. It’s a thoroughly believable portrayal of a genuinely affectionate friendship, as well as the depiction of terminal illness and the process of grief. It’s another memorable production from New Jewish Theatre.

Andrew Michael Neiman, James Anthony
Photo by Eric Woolsey
New Jewish Theatre

New Jewish Theatre is presenting Tuesdays With Morrie at the Marvin & Harlene Wool Studio Theatre at the JCC’s Staenberg Family Complex until October 22, 2017

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